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STEPHEN FRINK:

I became aware of the Ross Sea

in a conversation with Sylvia Earle, Ph.D., coincident

with her declaration of the region as one of her “Hope

Spots.” She suggested I look at your photography to

gain greater insight into the region. I was blown away

by the artistry and passion evident in your photos but

also by the physical challenges you underwent to bring

home such meaningful images from such a difficult

environment. Of course, that prompted a cover story

in theWinter 2013 issue of

Alert Diver

. Tell me a little

bit about yourself and the forks in the road that led

you to the Ross Sea.

JOHN WELLER:

First off, thank you, Stephen. That

means a lot. The Ross Sea conservation story has

been a central part of my being, consuming much of

my professional life over the past 15 years. It has also

had a tremendous impact on my personal life as it

introduced me to my wife, Cassandra, and led to our

daughter. Cassie did her master’s degree on toothfish,

and I had read one of her papers. She’s spent more

time on boats in Antarctica than I have — and as a

researcher. She is one of my heroes. Her doctoral

dissertation relates to the Ross Sea, so as you can

imagine we’ve had lively conversations about all things

Antarctica over the years. But for me, photography

was the hook that brought me there.

As a kid growing up in Boulder, Colo., I was obsessive

about photography. My parents gave me my first

camera, a 110-film point-and-shoot, when I was 4,

and by the time I was 8 I’d graduated to my mom’s

Nikon FM2 with a 300mm telephoto lens. Sitting

for hours watching birds and photographing wildlife

became a lifelong passion. I went to college to study

environmental economics, but I remained torn about

my life’s direction. My sister gave me sage advice at the

height of my angst. She said I should be a poet. Any

poetry I was capable of came through a camera, so I

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SHOOTER

JOHN WELLER

P HO T O S B Y J OHN WE L L E R

T E X T B Y S T E P H E N F R I N K A ND J OHN WE L L E R

[

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PHOTOGRAPHY

FOR A CAUSE